I have developed an artistic polymor- phous practice. I propose sculptural installations between sculpture and photography. I provoke a confusion between sculpture and picture when the support from the photos seems like sculpture. I touch the limits of the photography by a blind, organic and unsettled pictures. I’m interested by the epiphanic’s images, between appearance and disappearance. The sculptures sug- gest a “animality”. I use often salvage materials. I would to evoke a speci es stories from objects. This shapes which makes to appeal to anti- nomy from matter. I’m looking to create ten- sions in strong materials in order to show their fragilities. Biomorphic. I evoke through this movement, the architecture, organic shapes, matter, wastes like manner of rebuilding or building. I use the extraction, the frag- ments wi- thout a direct reference. I propose a new reconstruction, new moments of the micro history. It’s a palliative process from the historic’s memory by imaginary. The heritage of anthropologic’s mu- seums, monuments linked to colonial his- tories are like a search engine for my work. I use a lexical eld of war, power and domination. In sup- port of fairies and legendaries from Occident and overseas, I talk about local exoticism. Experimental space, Freedom, for being, for doing, excessive and disor- derly, as a thought in movement, as everyday gestures moved into the degeneration of the empirical time, intuitive and without limits, as a poli- tical statement against the current way of life too well planned, against a rhythm subordinated by a trans- cendent system. Art is the ground without foundation, without support, just one screw. We’re in this curious hodgepodge of shaping, molding or recovery, remake, re-appropriation, we are bootleg and mixing. Miscege- nation and creolization. Cultural can- nibalism. We are the «Tout-monde».